The Toronto International Film Festival is exactly the right length. After seeing thirty or forty film programs in nine-and-a-half days, I'm always ready for it to end. I hate that it'll be another year before I get to walk down Yonge Street again, discuss movies over sushi with friends again, and discover so many great new films again, but, for the time being at least, I'm glad to be home. Or, as a friend put it two years ago, "I wish there were more films; thank God there are no more films."
Rather than knock out capsule reviews, I've decided instead to spend some time over the next few weeks writing longer and, hopefully, more thoughtful essays about groups of films. For whatever reason -- maybe it was all of the long discussions with friends or the general atmosphere of cinephilia (in every best sense of the word) that pervades Toronto each September -- but I've finally gotten the itch to be a writer again. I realize now that it's taken some time and distance to shake off the frustrations and disappointments of my dissertation. But it's time to get back at it again -- to get back to the hard work of processing and analyzing and organizing and scraping out just the right word. It should be fun, and the remarkable lineup at TIFF will give me plenty to work with.
In the meantime here's a general breakdown of my first impressions. If you have any questions, leave a comment. I already miss all of our post-film chats and am itching to continue them here and elsewhere in the blog-o-sphere.
Masterpieces
These will likely end up on my short list of favorite films of the decade:
Stand Outs
All will be on my Top 10 of 2006:
Strong Recommendations
If TIFF weren't so strong this year, these would all be Stand Outs:
Solid Films
I enjoyed each of these for a variety of reasons and would recommend them all:
Frustrations and Disappointments
Only two this year. Both are well made and contain some fine moments, but they're deeply flawed:
Wavelengths
Among my favorites of the Wavelengths shorts were films by: Xavier Lukomski, Cynthia Madansky, Christina Battle, Peter Tscherkassky, Chris Curreri, Jim Jennings, and Nathaniel Dorsky. If anyone's curious, the new Kiarostami is crap.
Walk Outs
Two were due to scheduling problems; one was due to exhaustion:
Skips and Reschedules
I only skipped one film, Drama/Mex (Gerardo Naranjo), and I'm glad I did because, instead, I spent three hours eating sushi, drinking wine, and talking blogs and movies with Girish and Michael. It was one of the high points of the trip. Also, after hearing not-so-good things about Kore-eda's HANA, I sold my ticket and saw Rain Dogs, which was a really nice find.
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